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Characters Betrothed

Example of Character.

For those who do not have understood Manzoni is my role model, not the writing but way.

I will not dwell, but I make an example with the character of Agnes of PS

Agnes The role can be identified as the person who acts as assistant of the protagonists in the story.

The author presents this character indirectly is not providing a complete description, but a series of clues that make up the figure. However, his appearance there is in ch. II "... Meanwhile, the Buna Agnes (that was the mother of Lucy), put into suspicion and curiosity from the little word in your ear, and by the shot of his daughter, was down to see what was new ..." .

Agnese is a typical woman who is in the districts Brianza. His character, determined and quick, combined with an experience of life within herself that she probably overestimates, the extreme leads to the safety of trial; his concern and his love for his only daughter, veiled by a restraint that is right for people accustomed to a 'life reduced to its essential values, ease of speech and his boldness of expression, constitute a distinctive brand. Agnes is a feature of the speed with which you have to help her daughter in the attainment of his happiness. It works with self-confidence, the people of their limited culture, which is taken to see one face of reality, one that directly affects. His opinions and his advice is always decisive, because Agnes focuses on his experience which is accompanied by a fundamental optimism. Let's see, during the each other, that if his advice had a positive result, this happens by chance. For example, with its bold design of the wedding a surprise, he manages to foil the attempt to raid his house and kidnapped his daughter, and if she was able to accomplish what his father Christopher would not have had time to do it by Article of a superior will, everything from small independent thoughts and tricks of the clever peasant. The episode is a surprise marriage to determine the apparent difference between Agnes and Lucy. The woman does not recommend its young people a step against the moral, but it is clear on what other plan they are mother and daughter. The first one is advocating a strictly utilitarian morality, the second a psychological condition profoundly Christian.

's why Agnes is a static character, in the sense that, despite the events that upset with his daughter and her intended, does not change or attitude or outlook on life: Agnes always points with his usual practical sense, the need to judge things on the circumstances and not in the abstract.

Hello, Cristiano

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Writers

The title does not refer to us, as and we commit ourselves to write what we like are nothing but new writers: D but to the great writers, past and present.
addition to discussing how to grow technically hoping one day to see our creations on the shelves of bookstores and libraries, I think it would be interesting and educational even talk about those before us, has left an imprint. I'm not just talking about giants such as Manzoni, Leopardi ... But even writers, perhaps less well known or recent, that have made us grow.
Why yes, to be good writers must be excellent readers. So on with

sondaggione! :) What writers admire, what you seek to inspire you and why no such right can not stand?

Kisses
Lucre

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Hello, I am Glenda

.... then I could sign up to blog, but still I am not very familiar, however slowly, I hope to also create my own card with my presentation.
for now I just wanted to introduce myself!
I hope to come Tuesday! Hello Glenda

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FOR PEOPLE WHO ARE NOT ABLE TO BE PRESENT AT THE MEETING OF TUESDAY, December 9 Construction of

Tuesday, December 9, we considered the concept of FICTION IDEA, a very simple concept but extremely relevant to what we write.
Sometimes we write stories confused and do not understand why, very often the problem and 'we do not know really what intend to write. (A re-read my post about the story, which talks about the last part of 'IDEA).
Given that the story and 'a collection of items that are calibrated to achieve the goal we set ourselves, and if you do not really know what' our goal, you realize that the company and 'a lot of hard ... Do not underestimate this thing then!
When you write something to get used to convey the idea that he and 'base: if you are able to express it briefly and easy' and will satisfy you, you're on your way!
addition to this we have pointed to the characters and talked about the complexity of writing. Not enough talent and technique, it takes something ineffable, the mystery which is' so that our writing can touch the hearts of readers, in addition to the musicality of words, their uniqueness.
the end, we read the story of Matilda, which you may speak at the next meeting.
hug you all, Floriana hello:)

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CHARACTERS

How can we build a character? His physical features, the character, the little tics and gestures typical of the past and the future?

As always, the easiest thing is to look at the reality around us, and therefore often our friends, family, boys and girls whose desire to become the protagonists of our novels and short stories. So we can indulge ourselves to put our hated professor mathematics in a daring love affair that will inevitably hurt, or we ourselves can finally become masters of the world and meet actors and rock bands that we admire. Then describe particular real physical, and small obsessions obsessive characters of those around us. But beware! Do not just jot down the tics of our best friend or your favorite dress of our wife, as not all the features of reality can be useful for the purposes of history.

course is only a suggestion, but inspired by those close to us is a little help to easily create a character. If we are imaginative enough and we need to inspire us to reality, attention that the difficulties are not over.

We must have a clear idea of \u200b\u200bhow the / our / the protagonist / s to be made physically and temperamentally (note, I have divided the two things!) So that the reader - with a little imagination and lazy - can well imagine in the mind " with those who have to do. " I have divided well between the physical and the first character for a just cause, or laziness that affects the writer, who often uses, as a shortcut for the character adjectives accompanied by physical characteristics. An example? "Smart green eyes", "Nice big smile from her lips," Severus pointed nose. " Next, a pair of eyes are ever smart? If anything, it is the person who takes them, so we learn to share good physical characteristics and character.
not enough to fully describe a character. The observation, of course, is the most important thing and is the first step in creating a character, but the reader will not want to put up 100 or more pages of a protagonist who is always like this, no? So the characters in the story should grow hand in hand. You have to discover sides of the character who initially were not perceptible. When the characters are faced with an event or an event other than normal, will react in turn slightly changing their character. And changing that a little more, the reader will remain paralyzed.

If we create stereotypical characters, that is the good cop and the bad, the rebellious teenager to James Dean, the prostitute who eventually redeems and out of the loop a little bit ... Even if changes in them, the reader will get bored the same, and, let us say, well we care very little to write the same three banality. Or if you're so clever as to create an interesting character even of the ordinary, well, there is a further difficulty.

not write explicit phrases such as "That day he was happy to vote Diego university" or "That day, Diego would have preferred to die rather than go for the exam at the university." Are again, boring and banal phrases, and moreover could write things like the children who attend school. Let us instead of getting into character, to give little information and physical character. Taking the example above, we feel like a boy Diego handsome, confident, walking down the crowded university in a city that is not her ... not splurge just to say what is there, given to entice the reader and the clear images.

Then, slowly, the characters have a life of its own, and do not have to look after them much, they will stick you in control.

I repeat that these words are of course only a result of a my research.
Creating a character is so long and complex (and above all it must be natural and spontaneous), which is difficult to summarize in a few lines to the instructions. These are just some tips, and always will be a discussion topic ever!

Lucre