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Characters Betrothed

Example of Character.

For those who do not have understood Manzoni is my role model, not the writing but way.

I will not dwell, but I make an example with the character of Agnes of PS

Agnes The role can be identified as the person who acts as assistant of the protagonists in the story.

The author presents this character indirectly is not providing a complete description, but a series of clues that make up the figure. However, his appearance there is in ch. II "... Meanwhile, the Buna Agnes (that was the mother of Lucy), put into suspicion and curiosity from the little word in your ear, and by the shot of his daughter, was down to see what was new ..." .

Agnese is a typical woman who is in the districts Brianza. His character, determined and quick, combined with an experience of life within herself that she probably overestimates, the extreme leads to the safety of trial; his concern and his love for his only daughter, veiled by a restraint that is right for people accustomed to a 'life reduced to its essential values, ease of speech and his boldness of expression, constitute a distinctive brand. Agnes is a feature of the speed with which you have to help her daughter in the attainment of his happiness. It works with self-confidence, the people of their limited culture, which is taken to see one face of reality, one that directly affects. His opinions and his advice is always decisive, because Agnes focuses on his experience which is accompanied by a fundamental optimism. Let's see, during the each other, that if his advice had a positive result, this happens by chance. For example, with its bold design of the wedding a surprise, he manages to foil the attempt to raid his house and kidnapped his daughter, and if she was able to accomplish what his father Christopher would not have had time to do it by Article of a superior will, everything from small independent thoughts and tricks of the clever peasant. The episode is a surprise marriage to determine the apparent difference between Agnes and Lucy. The woman does not recommend its young people a step against the moral, but it is clear on what other plan they are mother and daughter. The first one is advocating a strictly utilitarian morality, the second a psychological condition profoundly Christian.

's why Agnes is a static character, in the sense that, despite the events that upset with his daughter and her intended, does not change or attitude or outlook on life: Agnes always points with his usual practical sense, the need to judge things on the circumstances and not in the abstract.

Hello, Cristiano

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Writers

The title does not refer to us, as and we commit ourselves to write what we like are nothing but new writers: D but to the great writers, past and present.
addition to discussing how to grow technically hoping one day to see our creations on the shelves of bookstores and libraries, I think it would be interesting and educational even talk about those before us, has left an imprint. I'm not just talking about giants such as Manzoni, Leopardi ... But even writers, perhaps less well known or recent, that have made us grow.
Why yes, to be good writers must be excellent readers. So on with

sondaggione! :) What writers admire, what you seek to inspire you and why no such right can not stand?

Kisses
Lucre

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Hello, I am Glenda

.... then I could sign up to blog, but still I am not very familiar, however slowly, I hope to also create my own card with my presentation.
for now I just wanted to introduce myself!
I hope to come Tuesday! Hello Glenda

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FOR PEOPLE WHO ARE NOT ABLE TO BE PRESENT AT THE MEETING OF TUESDAY, December 9 Construction of

Tuesday, December 9, we considered the concept of FICTION IDEA, a very simple concept but extremely relevant to what we write.
Sometimes we write stories confused and do not understand why, very often the problem and 'we do not know really what intend to write. (A re-read my post about the story, which talks about the last part of 'IDEA).
Given that the story and 'a collection of items that are calibrated to achieve the goal we set ourselves, and if you do not really know what' our goal, you realize that the company and 'a lot of hard ... Do not underestimate this thing then!
When you write something to get used to convey the idea that he and 'base: if you are able to express it briefly and easy' and will satisfy you, you're on your way!
addition to this we have pointed to the characters and talked about the complexity of writing. Not enough talent and technique, it takes something ineffable, the mystery which is' so that our writing can touch the hearts of readers, in addition to the musicality of words, their uniqueness.
the end, we read the story of Matilda, which you may speak at the next meeting.
hug you all, Floriana hello:)

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CHARACTERS

How can we build a character? His physical features, the character, the little tics and gestures typical of the past and the future?

As always, the easiest thing is to look at the reality around us, and therefore often our friends, family, boys and girls whose desire to become the protagonists of our novels and short stories. So we can indulge ourselves to put our hated professor mathematics in a daring love affair that will inevitably hurt, or we ourselves can finally become masters of the world and meet actors and rock bands that we admire. Then describe particular real physical, and small obsessions obsessive characters of those around us. But beware! Do not just jot down the tics of our best friend or your favorite dress of our wife, as not all the features of reality can be useful for the purposes of history.

course is only a suggestion, but inspired by those close to us is a little help to easily create a character. If we are imaginative enough and we need to inspire us to reality, attention that the difficulties are not over.

We must have a clear idea of \u200b\u200bhow the / our / the protagonist / s to be made physically and temperamentally (note, I have divided the two things!) So that the reader - with a little imagination and lazy - can well imagine in the mind " with those who have to do. " I have divided well between the physical and the first character for a just cause, or laziness that affects the writer, who often uses, as a shortcut for the character adjectives accompanied by physical characteristics. An example? "Smart green eyes", "Nice big smile from her lips," Severus pointed nose. " Next, a pair of eyes are ever smart? If anything, it is the person who takes them, so we learn to share good physical characteristics and character.
not enough to fully describe a character. The observation, of course, is the most important thing and is the first step in creating a character, but the reader will not want to put up 100 or more pages of a protagonist who is always like this, no? So the characters in the story should grow hand in hand. You have to discover sides of the character who initially were not perceptible. When the characters are faced with an event or an event other than normal, will react in turn slightly changing their character. And changing that a little more, the reader will remain paralyzed.

If we create stereotypical characters, that is the good cop and the bad, the rebellious teenager to James Dean, the prostitute who eventually redeems and out of the loop a little bit ... Even if changes in them, the reader will get bored the same, and, let us say, well we care very little to write the same three banality. Or if you're so clever as to create an interesting character even of the ordinary, well, there is a further difficulty.

not write explicit phrases such as "That day he was happy to vote Diego university" or "That day, Diego would have preferred to die rather than go for the exam at the university." Are again, boring and banal phrases, and moreover could write things like the children who attend school. Let us instead of getting into character, to give little information and physical character. Taking the example above, we feel like a boy Diego handsome, confident, walking down the crowded university in a city that is not her ... not splurge just to say what is there, given to entice the reader and the clear images.

Then, slowly, the characters have a life of its own, and do not have to look after them much, they will stick you in control.

I repeat that these words are of course only a result of a my research.
Creating a character is so long and complex (and above all it must be natural and spontaneous), which is difficult to summarize in a few lines to the instructions. These are just some tips, and always will be a discussion topic ever!

Lucre

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MEETING TUESDAY December 9

Tuesday, December 9 at 17.30-17-40 you look at the next meeting, again as a Christian of course:) The beginning

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The beginning AND FAMOUS INCIPIT



find the right connection of a story and 'fundamental to capture the reader's attention.
Traditionally, a story began with "Once upon a time ...", which followed the action, today trend 'in attacking the other hand in medias res, that is in the middle of the situation or action.
The Beginning (incipit, which in Latin means "begin") and 'a key moment of the narrative: how many masterpieces risk today of being discarded because the first pages dwells in elaborate introductory presentations!

Take the opening words of Dante in the middle of the journey of our life I found myself within a dark forest. "Dante could have started with more conventionally" I found myself within a dark forest in the middle of the journey ... "but to enter in the middle of something (the preposition "in" already 'per se' Drag the "inside") been put into effect an immediate immersion in history. In addition, the pronoun "we" involves the active reader in the journey of the poet.
This focus on the opening words of the writers and 'a very instructive exercise to sharpen your intuition.

We see the different ways it can start to take a story (or novel)

an original Self-presentation of the narrator

Call me Ishmael
Hermann Melville, Moby Dick

O with a presentation of himself as a villain

go before the judge, saying, "I committed a crime. The poor creature does not would have died if I had not killed her. I Hermilo Tullio, I myself have killed. "
Gabriele D'Annunzio, the Innocent

My real name is 'well known in the records or registers at Newgate and the Old Bailey, and there are still outstanding things about my personal conduct of such gravity' that be expected to report here my name or my family history.
Daniel Defoe, The Fortunes and Misfortunes of the Famous Moll Flanders

Allow me, for now, call me William Wilson, so that the pure page that lies before me now has to be soiled by my real name, a name that too and 'already' been of shame and horror, for the abomination of my house
Edgar Allan Poe, William Wilson

ATTACK OR A CLASSIC FROM AUTOBIOGRAPHY

if you end up 'to be me the hero of my own life, or if this place will be taken by someone else, you will see in the pages that follow.
Charles Dickens, David Copperfield

One of the few, indeed perhaps the only one I knew for sure was this: that my name was Mattia Pascal
Luigi Pirandello, The Late Mattia Pascal

OR WITH AN ATTITUDE WITH REGARD Insolent 'TRADITIONAL LITERARY AUTOBIOGRAPHY

If you really want to hear this story, maybe you want to know first where I was born and what it 'was my childhood sucks and what did my parents and company before I arrived, and all that crap to David Copperfield, but I do not go just talk about it.
Jerome D. Salinger, The Catcher in the Rye

I could well do without it, but I could not resist the temptation to write the story of my first steps in life ... one thing, but, 'I am absolutely convinced that if I were to live up a hundred years, the autobiography does not stretch more than certain. You have to be too blatantly in love with themselves, to speak, without shame, person.
Fedor Dostoevsky, The Adolescent

the narrator OR THAT HAVE ANOTHER CHARACTER

Within 'in my life in February 1932 for no more out. Since then, and 'spent more' than a quarter of a century, more than nine thousand days tedious and without purpose, that the lack of hope made all too empty. Days and years, many of whom died as the dry leaves from a tree withered.
Fred Uhlman, the friend found


was June 15th of 1767 that Cosimo Piovasco of Rondo, my brother, sat for the last time in our midst
Italo Calvino, The Baron in the Trees

OR WITH THE DESCRIPTION OF A NATURAL PERSON OR CITY TO BE 'THE BACKGROUND OF HISTORY PRIMARY

That branch of Lake Como ...
Alessandro Manzoni, The Betrothed

CAN' start in the middle of a conversation

"Well, there 'no one here? ... BRATH! ... But crab, all became deaf ... BRATH down here!"
"Do not scream, scream it hurts you, Arnold."
Allessandro Baricco, Castles of anger

O by a sentence that the narrator or a character addresses somebody

"He said he would dance with me if I had brought red roses, "cried 'the young student," but in all my garden there is no' one red rose!
Oscar Wilde, The Nightingale and the Rose

's true! I was and am very nervous, terribly nervous, but because you want to say that I'm crazy? The disease had sharpened my senses, not destroyed them had not made them dull. And, on the other, I had more 'acute sense of hearing. I heard all things in heaven and earth, and I heard many things from hell
Edgar Allan Poe, The Tell-Tale Heart

or reader

You are about to begin reading the novel. If a winter's night a traveler by Italo Calvino. Relax. Collect. Dispel every other thought.
Italo Calvino's If a winter's night a traveler

CAN 'START WITH A MEMORY
For a long time, I went to bed early in the evening
Marcel Proust, Swann's Way

OR the evocation of dominant characteristics of historical time CURRENT

On 25 May 1796 by General Bonaparte 'in Milan at the head of that young army that had crossed the bridge of Lodi and announced to the world that after so many centuries Caesar and Alexander had a successor.
Henri Stendhal, The Charterhouse of Parma

OR A REFLECTION philosophical or psychological

I am a sick person ... I'm a bad person. I am one who has nothing attractive. I think I have a liver disease. Although the other hand I do not understand one iota of my illness, I do not know precisely what there is sick of me.
Memories of the subsurface, Dostoevsky

All happy families are similar to each other, each unhappy family is' unhappy in its own way
Lev Tolstoy, Anna Karenina

OR THE SUBMISSION OF A LINE FROM THE CHARACTER OF THE AUTHOR
Scarlett O 'Hara was not a beauty, but men rarely felt it when, as the twins Traleton, suffered its charm
Margaret Mitchell, Gone with the Wind

The man was tall and so thin that it seemed always in profile. Her skin was dark, the bones protruding and eyes burned with a perpetual fire.
Mario Vargas Llosa, The War of the End of the world

WITH THE SUBMISSION OF A banal situations and peaceful, Soon SARA 'STOPPED BY ADVERSE EVENTS

was a cool, clear day in April and the clocks marked one o'clock
George Orwell, 1984

It was a wonderful night, one of those nights that may exist only when you are 'young, my dear reader
Fedor Dostoevsky, the nights White

with a statement LAPIDARY OR disconcerting IMPACT

All children grow up, but one
James M. Barrie, Peter Pan

I live in Villa Borghese. Not a speck of dust, nor a chair misplaced. We are alone and we are dead.
Henry Miller, Tropic of Cancer

inevitable: the scent of bitter almonds always reminded him of the fate of unrequited
Gabriel Garcia Marquez, Love in the Time of Cholera

or explaining why 'is narrating THAT IS HISTORY

All the material in this book derived from my direct observation and 'was taken from recordings official o 'the result of interviews with people involved, and very often a whole series of talks that lasted for a considerable time
Truman Capote, In Cold Blood

If ever the history of the adventures of an ordinary man in this world was worthy of being published and once published to be well received, the person who gave it to the press and 'convinced that this is.
Daniel Defoe, The Life and Adventures of Robinson Crusoe

OR STARTED WHEN THE ACTION 'GIA' LAUNCHED IN MEDIAS RES, IN THE HEART OF

One day, I was already 'in the years ahead, in a hall and I 'came to meet a man. Yes and 'presented to me and said: "I've ever known"
Marguerite Duras, The Lover

We were in the classroom to study when I enter' the head followed by a new dress in civilian clothes, and a janitor carrying a large counter. Those who were sleeping were awakened, and all rose to their feet, as captured in full working
Gustave Flaubert, Madame Bovary

When Gregor Samsa woke up 'one morning from uneasy dreams, he found himself' in his bed transformed into a huge insect
Franz Kafka, The Metamorphosis

day that they would kill him, Santiago Nasar got up 'at 5.30 in the morning to go to wait for the ship which arrived
Bishop Gabriel Garcia Marquez, Chronicle of a Death Foretold

Someone must have callunniato Joseph K., since 'one morning, without having done anything wrong, he was arrested
Franz Kafka, The process

L' American handed Leamas to another cup of coffee and said, 'Why' do not go to sleep? We will call if arriving "
John Le Carre ', The Spy Who Came in From the Cold

Many years later, facing a firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to hear ice
Gabriel Garcia Marquez, One Hundred Years of Solitude

I did not want to know, but I knew that one of the girls, it was no longer a child and had just returned from their honeymoon, they went to the bathroom, stood in front of the mirror, unbuttoned 'blouse, slips off' bra- you try 'my heart with the barrel of his father, who was in the dining room in the company of the family and three guests
Javier Marias, A Heart So White

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Russia is mourning the death of Alexander Solgenitzin, the dissident writer who denounced the horrors of Soviet regime.

"It's a heavy loss for all of Russia," he said in a statement, Prime Minister Vladimir Putin. "We Aleksandr Isayevich Solgenitzin proud that it has been one of our fellow citizen and our contemporary. We will remember him as a person strong, courageous and with enormous dignity, "said the former head of the Kremlin. A message of condolence also came from President Dmitry Medvedev. Another former president, Mikhail Gorbachev, said the debt that Russia will always have with the author of "The Gulag Archipelago," died at the age of 89. "Until the end of his days he fought for Russia not only away from its totalitarian past but also give a worthy future, we owe him a lot," said the creator of "glasnost" and "perestroika".


Solgenitzin's disappearance is a loss not only for Russia but for the entire free world.

Farewell Aleksandr Isaevich

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John Ronald Reuel Tolkien or a literary event in size beyond the value of the work of the English scholar, and testifying to its significance as a teacher in a society of good teachers that they desperately need. It is now more than 40 years after the publication of his masterpiece "The Lord of the Rings", but interest remains high for this author.

THE "AUTHOR OF THE CENTURY"
Last year, a referendum among all frequent readers of the British library has proclaimed "The Lord of the Rings" book of the century, a response that has caused some disappointment among the official critics, since Tolkien is still regarded by 'snobbish intelligentsia-a children's author. In the meantime, is turning the Lord of the Rings film, which promises to be a big blockbuster for next season, even if the rumors that come from the set that raises doubt about the fidelity of Tolkien's original work.

MANY TO REISSUE
keep alive the attention of readers of all time and those belonging to the younger generation, the publishing house Simon and Schuster, who took over from Ruskin's entire catalog Tolkien, began to reprint the classic and most successful English writer. In spite of all the charges therefore more or less malicious and unjustified riots in years this writer, Tolkien must now be considered not only a successful author, but also as a true classic.

A POINT OF REFERENCE
Tolkien has revived, in the middle twentieth century, the epic genre, restoring dignity to the ancient literary genre of narrative imagination, despite the cynicism of a dominant culture that, as Brecht taught, had to do without values, in particular heroism. Tolkien became a teacher, an existential point of reference for generations of young readers who were moved and exalted by the reading of his epic pages so far removed from realism then prevalent in the literature that told the story giustappunto of heroes, to restore the lost kingdom of Lords Evil opposed to elves, knights and gentle little creatures, but ready for any sacrifice for the triumph of the good: The Hobbit, Tolkien's characters distinctively and absolutely.

a conception of man
There has long questioned whether behind this great interest as we have pointed out that Tolkien does not seem to run out there was a particular ideology. The answer is definitely negative: it is reductive any "labeling" of the Oxford professor, as this that inspired and gave meaning to his life and his work did not result from an ideology but a vision of life, a conception of 'be, man, the story is much more than an ideology: it is a philosophy.

against modernity even has
Tolkien what we might call a theological vision of history, through which judges, with the authority of a philosopher or a prophet of human events, it is impressive to read today that the proceedings had in 1945 to express respect to the scenarios after the Second World War: "Everything becomes a little provincial suburb cursed. When they introduced the American health care system, morality, feminism and the mass production of the East, the Middle East, the USSR, the Pampas, in the Gran Chaco, in the Danube Basin, in equatorial Africa, and in Lhasa Berkshire villages in deep, as we will all be happy ... But joking aside, I find this terrifying cosmopolitanesimo American. "

AGAINST THE MASS CULTURADI
Tolkien as a critic of modernity, then, the globalism, the overpowering type, which contrasted the culture of belonging and rootedness. In a multiethnic and multicultural society such as that of Middle-earth, small Hobbit defend their county, their little world peacefully rural and rich traditions. Tolkien's "conservative", it was said, and certainly the professor if they adonterà, but conservative of all that is beautiful, pure, small, neat, interesting, important. "I absorb the large and small around the world becomes more flat and boring," he once wrote.

THAT THE ENEMY IS U.S. This aversion Tolkien for the ugliness and errors of modernity is not realistic because it is ideological, not born, that is, from an idea of \u200b\u200bthe world, or a project more or less utopian about it, but from the observation of nature and the human condition, indelibly marked by the Fall, so that the enemies to defeat the enemy is so evil (Sauron or Saruman) but it is especially treacherous evil that lurks in all of us. "You can not fight the enemy, he wrote to his son Christopher with his ring without turning yourself into an enemy, but unfortunately the wisdom of Gandalf seems to have disappeared with him in the far West and genuine." The religious element is rooted in the stories of Tolkien and their symbolism. His own passion for narration comes from the desire to communicate the truth through symbols and visions. "The Gospel explained is the biggest fairy tale, and produces the sensation fundamental Christian joy that drew tears because it is qualitatively similar to the pain, because it comes from that place where joy and pain are one thing, meeting, as well as selfishness and altruism are lost in Love. "




between good and evil in this epic and spiritual intensity of Tolkien's work is the secret of the significance of this extraordinary author of fantastic fiction that becomes a vehicle for immutable values, deeply ingrained with the heart of man, his dreams, his hopes. His masterpiece, The Lord of the Rings is the epic tale of a transition period, which represents a genuine survival guide between the errors and horrors of modernity. "How can a man judge what to do in times like these?" Asks a character, and meets Aragorn, the man destined to be king: "As always judged: good and evil have not changed Within a year, and are not something with elves and dwarves and another among men. It is up to each of us to discern. "

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The Celtic is a neopagan religious movement ricostruzionistico Live from the late nineteenth century, but only emerged in the seventies of the twentieth century. Tend to resume the ancient Celtic Celtic religion, practiced in the geographical areas of ancient Gaul, Ireland and Britain before sopraggiungesse Christianity. It is a pantheistic religious system, animistic and polytheistic, whose theology differs according to the main currents in which it is divided. With the emergence and spread of the mysterious group between the years 1970 and 1980, Celtic has been influenced and in turn shaped the philosophies, New Age and Wicca, which has particularly affected the druidista doctrine, one branch celtiste. Among the first few groups were to approach a purely Celtic; only very recently celtiste religions have undergone a gradual systematization and institutionalization, and the process is still ongoing.

The history of Celtic began in the eighteenth century, specifically in 1781 with the founding of the Ancient Order of Druids, a secret and initiatory. The groups appeared during this period rarely had close links with the ancient Celtic religion, it should be brought back to the same strand that unites the wide range of underground mystery religions that appeared during the twentieth century. The first members of the neo-paganism that is going to be organized to provide a relatively defined religiosity celtista were members of congregations appeared only in the seventies and eighties of the twentieth century. The doctrines of these groups contained several elements of Celtic, many of whom would become the nucleus of a future unified philosophy celtista. This period and these groups are often referred to collectively label Protoceltismo, because of the still widespread doctrinal vagueness that characterized them. Then, with the spread of the means of mass communication, the protoceltisti began to be felt, leading to a rapid growth of the movement. Although the current senistrognatana present the typical elements of the charged reconstructionism [7], other groups are based less on the historical roots of religion, and tend to the introduction of reformers. In the period the first issue of Wiccan and Celtic influences newager (these are the main, but there are many more detectable) went well in the current form of Druidism, the majority today, within which a third branch was formed in 1985, or Keltrianesimo. Tended to a few of the modern celtisti consider it important the link with the old tradition of Celtic Paganism, most druidista recognizes the need for innovation and development of religion celtista in harmony with the context of modern society, recognizing in this way 'implementation in its doctrine of teachings, rituals and practices new and not necessarily Celtic.



The Celtic is a religion essentially animistic and pantheistic, keeping in the tradition of the ancient pagan Celtic religion. The results in many areas in animism, polytheism with the depiction of gods give this humanoid. The pictures are just symbols, however, since the deities are conceived as cosmic forces and identified with the more subtle mechanisms that give rise to the basic processes of nature that give shape to the energy behind the universe. The energy that pervades and constitutes all things is considered divine, and from this emerges a view of nature itself as sacred. For since nature is enlivened by the spirit and cosmic energy and is itself a constituent part thereof, together with demonstration and adoption of this. The deities are essentially the essences that starting from the energy substrate of the world mean that this is going to aggregate, giving birth to matter. It is this concept that lies in the theology of pantheism celtista. One described is the orthodox view, namely accomunante all variations due to the tradition senistrognatana [8], Druidism and Keltrianesimo openly deviate from that vision by embracing a theology and cosmology that keeps so pantheism, but also encompasses the vision parallel unitary and dualistic view of Wicca. The current and the druidista keltriana of Celtic recognize it as an indication of the One God and the cosmic energy that emanates the universe, but in a way similar to the Wiccan religion (which are in some of its current is also monistic) see the One as the source of manifestation of the two opposite poles its complementarity gives rise to all things, and the two principles of eternal interaction between all that exists is the God and Goddess. The Goddess is, as in Wicca, often seen as manifested in three aspects, representing the three phases of human life and the processes that shape the circular and cyclical nature of the world and of man (one of which is the reincarnation). The Goddess is in addition considered the Mother Goddess, thus giving a greater role than that of God, his wife and son often. The Goddess is presumed to be the first in many circumstances, the principle owner, identifying himself with the One and then issuing the pole also speculate that well represented by God the Mother Goddess is Nature, being the entire cosmos and the energy-generating existence, and thus comes to be the same as the natural and conceive of all things, and cycles whose motion gives life to the world. The Keltrianesimo theological approach has a tendency to partially suiteismo. It gives value to the position of man in the world, and the divinity of all humanity as part of nature. Central celtisti cults of all kinds are obviously the traditional gods, among which stand out Tutatis, Morrigan, and Druidism in particular in identifying it with the God Cernunnos.

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Ezra Pound - Ezra Weston Loomis Pound's full name - (Hailey, October 30, 1885 - Venice, November 1, 1972) was an American poet who lived mostly in Europe and was a key player modernism and early twentieth-century poetry. He was the driving force behind several modernist movements, mainly of the imago and Vorticism.

If a man is not willing to take some risk to his ideas or his ideas are worth nothing or he is not worth anything.



* The best government is (obviously?) That enables the best intelligence of the nation.
* You can not criticize and be diplomatic at the same time.
* There is no intelligence without emotion. Can there be emotion without much intelligence, but it is something that does not concern us.
* A new knowledge is an experiment, a new friend is a risk.
* I believe in the ideas that become actions.

* Adolf Hitler was a story of Joan of Arc, a saint. He was a martyr. And how many martyrs, brought with it extreme views. (From an interview with Edd Johnson Chicaco Sun, May 9, 1945) * The temple
is sacred because it is not for sale. (From Canti, n. 97)

The temple is holy Because it is not for sale.

* Faith is a cramp, paralysis, atrophy of the mind in certain positions. (From Selected Prose, 1921) * The Art
never asks anyone to do nothing, thinking nothing, be nothing. There exists as a tree, you can see, you can sit in its shade, you can pick bananas, you can cut firewood, you can do absolutely everything that you want. (From the serious artist)
* I can not imagine how a serious artist can never be satisfied with their work. (From Hell) * Do not use
no superfluous word, no adjective which does not disclose anything. (From Letters of Ezra Pound)
* I speak of beauty. There he begins to discuss a wind of April. When he meets you feel revived. You feel revived when they meet in Plato thought that running fast, or a nice profile on a statue. (From the serious artist)
* This is my advice to young people have curiosity. (From an interview on Italian television, June 7, 1968)
* A small amount of money that changes hands quickly will do the job a great deal that moves slowly. (Selected from prose)
* Some books are a treasure, a foundation, read once, will serve you for the rest of life.
* It is difficult to write a paradise when all the superficial signs indicate that you should write an apocalypse. It is obvious to find people to hell or purgatory.
* It is very difficult for a person to believe in something strongly enough, so that what it means to believe something without bothering others.
* There are two types of ignorance, we might call natural and artificial. At the moment I would say that the artificial ignorance is about eighty-five per cent.
* "human greatness" is not an energy policy, combined with the straight, direct and agile with the intellect, is incompatible with those who lie to themselves and indulge in petty fictions.
* The bad critic criticizes the poet, not poetry.
* Genius is the ability to see ten things where the ordinary man sees only one, and where the man of talent sees two or three.
* Thinking divides, combines the feel.
* The secret of teaching has something to do with theater. Imitate simply the best teacher you have known.
* Culture is not lack of memory. The culture begins when you can do something without effort.
* The word communicates the thought, the tone and emotions. * Health
countless kills bacteria.
* True education must in ultimately be reserved to men who insist on knowing: the rest is pasture.
* Your mind and you yourselves are our Sargasso Sea.
* The apparition of these faces in the crowd: and who was not irascible.
* You can not do a good economy with bad ethics.
* Do not use any words that you can not say under stress.
* If a man is not willing to take some risks to their own ideas, or ideas are worth nothing or that he is not worth anything.
* All great art is born from the metropolis.
* All major changes are simple.
* A civilized man is one who gives a serious answer to a serious question. Civilization itself is a healthy balance of values.
* A man of genius can not help but be born where he was born.
* One of the pleasures of middle age is to discover which one was right, and that he had more reason than he realized at the age of seventeen or twenty-three years.

Free Patterns Bubble Skirt

José Antonio Primo de Rivera (Madrid, April 24, 1903 / Alicante, 20 November 1936), high-bourgeois origins, was the son of General Miguel Primo de Rivera, who was dictator of Spain from 1923 to 1930. José Antonio was a lawyer and was editor of the far-right newspaper El Beam "and the magazine" ABC ". In 1933 he founded the English Falange (or Phalanx Riviera, then after his death, even of Christ the King or the Sacred Heart of Jesus), who had to make the program as Spain was a call to inspiration Fascist transcendent class struggle. In general elections in the spring of 1936, the Falange won only 0.7% of the vote, but grew rapidly in July and already had 40,000 members enrolled. Primo de Rivera was a supporter of the military revolt of July 1936 against the Republican government during the English Civil War the Falange became the dominant political movement among the nationalists. It was the same de Rivera, who wrote the lyrics of the Phalange "Cara al Sol". In 1936 the Republican government outlawed the Falange was in charge of disorderly conduct, including the attempted murder of law professor Luis Jiménez de Asua, and arrested the head, even de Rivera, and locked in the first Model Prison in Madrid and then from June 5, in Alicante, where it was when it implemented the July 18 military coup by Emilio Mola and Francisco Franco, who started the Civil War (1936-39 ). José Antonio was a prisoner at Alicante until he was executed November 20, 1936. The regime of Francisco Franco developed a personality cult around de Rivera. He was a "martyr of the Crusade" (see "El Ausente" ... "The Absent"). On the outer walls of each parish was placed on the orders of English Franco (El Caudillo) a plaque commemorating local soldiers killed Duante the Civil War ("Caídos por Dios y por España "..." Fallen for God and Spain "). The name of de Rivera was the first in the list on each plate and the name of José Antonio became very popular in Spain. José Antonio's sister, Pilar Primo de Rivera founded the Sección Femenina (the women's branch of the Falange). The Sección Femenina played a huge rebuilding job systematically all the different traditions of the English regions (gastronomy, music, dances, etc...) Franco ordered the building (through the forced labor of political prisoners) of the mausoleum of the Valle de los Caídos, where today lies the body of de Rivera. Nearly forty years later (in 1975), November 20 (the day when he was shot José Antonio), Franco died (he had been kept alive through aggressive treatment for this) and his body was buried next to that of de Rivera.
José Antonio did not consider his motion (called nazionalsindacalismo) as a fascist, because the two had in common only the exaltation of the national concept. On November 20, remains a symbolic date for the extreme right and English European. The last statue remained in Spain of Primo de Rivera was removed from Guadalajara in March 2005 after the government decided it was not suitable for a democratic state. There was also concern that had become a pilgrimage site for right-wing extremists from all over the continent (... and it was true).
The political movement known as Falange Espanola (y de las JONS) was born, as I wrote above, in the early '30s of the Falange in Madrid by José Antonio Primo de Rivera with the Juntas de las Ofensivas Sindacalistas Nacional (oppunto JONS) Onesino of Redondo Ortega and Ramiro Ledesma Ramos.





José Antonio Primo de Rivera and Ramiro Ledesma Ramos

The movement, who called nationalist-unionist, proposed a revolutionary type of program, in part inspired by the nationalist movements / European fascist era, which combined the respect for traditional values \u200b\u200bof English historians with a strong policy of social upheaval marked by the establishment a type of corporate law, the socialization of the means of production and overcome the parliamentary democracy in favor of new tools of popular participation ("vertical totalitarian"). He always had a strong nationalist, anti-socialist and anti-liberal. The new grouping was presented March 4, 1934 at the Teatro Calderon of Valladolid as a result of the previous February 13 between Primo de Rivera and Ramiro Ledesma. The symbols of the new movement were the red and black flag of JONS and the yoke, with a bundle of five arrows, a traditional emblem of the first Christian King-Catholics. In October 1934 the first National Council was held in Madrid during the Jose Antonio was appointed as head and were only adopted the famous Camisa Azul (blue shirt), as uniform and salute. Then it was founded "Arriba Espana" the official organ of the movement. The political fortunes of the Falange proceeded in phases until the February 1936 elections won by the Popular Front, and from that moment on the militants of the movement grew steadily from 40,000 in 1936 to over 500,000 in 1939 (this at the end of the Civil War). As I said, March 14, 1936 José Antonio was arrested by secret police after his election in the district of Cuenca had been invalidated by depriving him of parliamentary immunity. On 18 July with the Alzamiento (the coup) military led by General Francisco Franco, Emilio Mola and José Sanjurjo outbreak of the Civil War and the subsequent November 20, after a summary trial of dubious legality, held between 13 and Nov. 18, Jose Antonio was shot to death in prison Alicante, where he was detained. In the subsequent months fell all the other leaders of the movement, none of whom survived the war. The political weakness of the new leadership encouraged the unification of the decree of April 19, 1937, under which France joined under his command nationalist movements, merging the Falange and the Traditionalist Communion in the new single party Falange Espanola de las JONS Tradicional y "of which proclaimed itself (undeservedly) National Head (if not the stature neither moral nor political). Most of the Falange, interest or fear, he accepted the confluence of the "Movimiento unificada" by Franco, while those who resisted were arrested, tried, and some executed. The head of the movement, Manuel Hedilla (formerly loyal to de Rivera and his secretary), who refused to recognize the political authority of France, was sentenced to death for high treason. The sentence was later commuted (not to make trouble), but Hedilla remained in jail until the late '40s. The activities of political dissidents continued Phalangists underground until the death of Franco. The Falange (now all of 'Franco') was active in the Civil War with its military units, which were, in general, the shock troops of the National Division. Then Franco, who was neither ever became Phalange, it gradually sterilized pulses, using the movement and its ideology to its own use and to symbolically oppose the socialist ideology, Marxist and liberal thought that the enemy of the English tradition. So in the long period of his dictatorship, the Falange and its founder and only empty symbols are always in support of an autocratic power and gross. The social and political program of the Falange was never achieved, even in small part, and after the late forties, with the gradual marginalization of Serrano Suner (Franco's brother and head of the Phalange) and his men did not occupy the most significant positions of power and government. Although Spain is said to neutral during the Second World War, 'free' English volunteers (Mexicans, Argentines, Uruguayans, Paraguayans) framed in the Falange, fought alongside the Nazis on the eastern front against the Bolsheviks.




Onésimo Redondo Ortega and José Antonio Primo de Rivera

To conclude: José Antonio was a child of his times and a Spain torn by centuries of economic and political decline suspended between a conservative right (Land owners, high clergy and various components of monarchical and dynastic conflicts rooted in lack of producing a minimum of national rebirth) and a left strongly influenced by a class struggle, violent and extremist. In this context, very bleak, foreboding of what would become a civil war, José Antonio developed his own political thought-Patriotic-clerical (in my opinion those who were anticipating the ideas advocated by the fascism of CSR). After a brief experience in the ranks of monarchy, which followed the death of his father, he realized that that right was too dull, and bound to the past due to their economic interests and privileges in order to become a promoter of New Spain, as well matured the need to create something new in English politics, detached from vested interests and sensitive to the real needs of the national community. Thus was born the movement of the Falange that same definition of Jose Antonio had to be an "anti-party", detached from the right side of the monarchy, and clerical conservatives, who strongly disliked and opposed, of course, to the left and the republican-democratic system instituted in Spain those years. The Falange was formed between the components of healthy motivated by the idea of \u200b\u200bimperial Spain, but not nostalgic, relying on age-old values, but not corrupted by the lust for power and darkened by a Church has lost its humanity and already far from its 'origins'. These components were obviously young. The myth of youth, partly borrowed from Mussolini Fascism, became a cornerstone of the Falange and found practical application in the rule within the movement want to accept only people under forty-five years of age. The new movement was then detached from the "bourgeois spirit of resignation before the events" and become architects of a new great project of Spain and then of a new Europe. This anti-bourgeois spirit he brought to the rooms movementists José Antonio Ledesma of nazionalsindacalisti of Ramos. The component nazionalsindacalista where anarchist sympathies remained strong (hence the flag red-black Phalange), after an initial strong suspicion of the bourgeois lawyer Castilian, plus the son of a dictator, became the backbone of the movement.


José Antonio Primo de Rivera in prison, just moments before being executed

Finally de Rivera advocated "third way", that is man-noble aristocracy, high nell'accezione of terms, a typical figure some right 'look', coupled to the ideals and the social demands of their left. At the outbreak of the Civil War and in previous years did not change José Antonio never mind about the English right, as well as the left. Those who advocated the class hatred, argued the importance of unity of the homeland, understood in its highest sense of unity of purpose for the community to the highest, and those who sought to overthrow the deep social injustices promised radical reforms in the opposite . Then, with the outbreak of the Civil War, de Rivera was imprisoned and executed by the Republican troops with neglect of Franco and accomplice of his generals. The left got rid Republican, so the only "political soldier" who had the opposite side and the right, guided and supported by the slain, opportunistic and sinister 'chief' Franco, took advantage of a loss of ally never too popular (because too intellectual) and made him a martyr. Thanks Franco and public ovations to the founder of the Falange were instrumental in maintaining the highest doctrinal component within its (low) the political regime and no real reform in corporate sense was ensured by Caudillo (man devoid of spirituality and social momentum ). At the end of the great enemies of the Right and Left of de Rivera had the upper hand, but his writings are still a reminder of the stature of that great visionary and man of fine culture.